solar one music is always on the search for new missions and now its time for a new series on this label called the crystal issue. focus will be more on acid / chicago / detroit / techno / house which also big influences for the label heads of som. all releases will presented on one sided colored vinyls. first release will be from mantra who also releases on imprints such as bunker, creme, abstract acid etc. this is simply dark acid house at its best. limited edition on orange, marbled, one single-sided vinyl no digital release!

roman rauch returns to tenderpark full of verve.

first in is a beat heavy analogue chug rework of the rare and weird italo 7 inch *i am your master* by the mysterious italo connoisseur savino dj and dj peet need based in holland. the arpeggiating bass line digs a circular trench that gets deeper as the track marches on until you end up stuck on an island with a strange creepy midget man. music that blurs the line between disco dreams and nightmares starion is back for more on ep2. how will he make a heavier track than ep1s *another dimension*? by making *darkstar*. analogue manctalo chug at its finest. big bass line, big synth chords, big vocoder action. you couldnt get more dark disco electronic if you went clubbing with daleks and the cybermen were djing.

island rescue marks the first release from san franciscos dan judd under his sorcerer alias in three years. with this release on new diskotopia sub-label a kind of presence, sorcerer fuses his trademark californian balearic sound with influences gleaned from 70s afro-funk tapes for three new original tracks, backed up by myakkah and greeen linez remixes. strong support has been coming in for the release from the wire (who have played tracks from the release on their rewired radio show), spin magazine (who featured an exclusive stream of the release with a feature), jon tye, gold panda, magic touch, the beat broker, ben cook (fucked up, yacht club) and many more.

stefan schneider & jay ahern produced minimalist, pure, warm techno beat-tracks.

after a 10 year hiatus, ron delivers *the lost tapes*. 4 true high adrenaline first generation pure detroit techno tracks.

tembezi is a richly textured, intricate afro house track with emotive, melancholic piano improvisations backed by a solid jumping beat to get your feet itchy.

three superb re-edits from karim, the man destined to become the new todd terje. *all the joy that you bring* is everything that is good about disco with none of the cheese. flip then for the pure soul and heavy funk of lou johnsons *the beat*. then to round off perfectly we have got a great instrumental of grand master flashs classic *the message* this is a huge release!
pressing on coloured & marbled vinyl.

tropics a.k.a. chris ward first appeared on planet mu last year, following up two eps with the album parodia flare. commended by pitchfork for his lush soundscapes and hazy pop, whats clear with tropics is that he listens to a lot of dance music and he cares about production values. the synth and beat programming is as competent as anything out there, and he avoids lazy indie stylings and one button bontempi organ beats – his are crafted songs, much of the pleasure lying in his gift for dynamic arrangement, which is a joy amid rafts of useful formulaically assembled house tracks.
in common with the general post-financial collapse vibe there is less sunshine in this ep than before, and he has absorbed something from a year of intensive house music listening, but chris essential qualities remain a forward-looking wistfulness, hope beneath melancholy, something even more acutely needed now than before. oh look! here comes winter.

magic feet introduce three new artists on their first label sampler, as well as a remix from label owner craig bratley. the tracks cover various genres, taking their inspiration from house, italo, new beat and disco. first up is paresse, an alias of swedish producer ivan bergren. *the night before you came* is a hypnotic, evolving slice of future disco. craig bratleys remix shows craig indulging in his obsession with the world of analogue synths and sees the track taking in a deeper and darker direction. craig has also had a hand in editing *lost era* by kepier on the flipside, a track with a direct lineage to the belgian new beat sound. to round off the ep, we have soul tension, an alias of tony beardsley, who also produces as dark strands. *suburban life* is a superb take on the slo-mo techno sound.

white vinyl. stromg limited. the new release by thomas kress, >utilize me<, is proper electro funk mixed with the modern era of growling bass lines, hypnotising sequences and technoid dynamics. the tracks compress dark synths, vocoderized voice-samples and impulsive arpeggios into a minimalist constructed and organic mesh of sound. featuring additional remixes by dynamik bass system and tecroc, the release includes a total of six tracks and presents a diverse spectrum of revolving electrophonic sound worlds.

rhythm and melody, the beat and the bass - thats what proper club music is all about. and with current chihouse revivalists galore, its really hard to come up with something really true to the roots, and brilliantly fresh at the same time. recognition recordings, run steadily by jacek sienkiewicz, polands true visionary of contemporary club beats in a world of post-techno, passes its 30th release with this four-track marvel of an ep by one chino

a minimal beat with house appeal meets a gloomy techno background, generates a lot of deepness and is arranged in a steadily rising style, building up and up again. what seems to be a cool tool turns out to be a true peaktime monster, right after a few minutes!

third sides infamous *shit on me*, taken from their first full-length release, *unified fields* is given a four-pronged remix ante up by some of technos more illustrious figures. virginia is back on duty with a fierce and hypnotic twist of jagged percussion and echoing sample blends, transforming the original into an obscure and minimalistic techno voyage, whereas morphosis injects his peerless swamp of sonic oddity under his ra.h moniker – reducing the original into a truly experimental six minutes of chilling effects, echoing percussion and irregular drum bursts…a true hardware show. on the flipside, marco shuttle tears up the beat into a twisting, bass-morphing machine stomp, replacing the originals drums and hi-hats with a mesmerizing cascade of sharp vocals and flickering note-repeats. finally, the elusive techno excursionists, xenogears give the original an ominous industrial edge, where harsh drum machine distortions meet long, dreary pads and cavernous vocal shots of the finest analogue calibre. techno restoration is back with a vengeance.

the 7th release on aniara marks the debut of henrik bergqvist from stockholm, sweden. two tracks of no frills, hands-on house, made with unbridled love for music, machines and the simple joy of dancing your ass off. a-side *go for what hurts* is all about the strings and the slamming beat, propelling you into the early morning vibe, while the b-side *spin* has what can only be called a truly irresistible groove. it is the type of track that takes the party from a simmer to a rapid boil!

years after rumours of the mysterious usio first started spreading, studio barnhus are finally ready to release the projects debut outing, an lp called kuwa huru. this is emotional, intricate electronic blues for the modern dance floor, with 8 tracks ranging from afro-beat influenced house jams to starlight spangled techno compositions. the double vinyl pack includes a download coupon which gives access to the original album tracks + 5 bonus tracks.

christopher rau has been impressing people since a while! here three tracks that impressed the junk yard connections crew a while ago on a mix tape, not knowing what it was, or who it was! finally they tracked down its origins and found out that it was unreleased tracks by christopher! now finally these tracks see the day light! inter alia, *the green bean*, which has some of that sexy swampy house vibe like theo parrish or stl can do. on the flip its *some song* with its more techier vibe, somehow with an atmosphere reminding of model 500s classic starlight. and last but not least the b2 track no chatter with its up beat house vibe. amazing tracks that are the first tracks on the label from outside the jyc crew. tracks that are here to stay on valuable wax. another cool junk yard connections release.

vae victis cant hide their love and passion for raw house and techno. on this 5th release there is another fine selection of hybrids between styles perfectly expressing their love for genre bending music. durant exsists out of a small collective of producers with main roles for steve murphy, die roh and lucretio. the dove ultimatum, a 4 tracks ep of punchy analogue electronic music! on the a-side lay general motors and at ten, 2 broken beat electro techno tracks a la drexciya showing the hardest and most experimental side of the project. while on the flip the trio bring things on a housier field, though staying loyal to the a-side vibe by delivering 2 dark and obsessive raw house tracks.

disko404 is a long-established promotional crew based in graz, austria, whose renowned monthly events are all about celebrating the bass in dubstep, funky, house, juke, grime, hip hop, electro, and experimental sounds. in 2012 they branched out as a record label, launching with a well-received split ep from sun people & franjazzco, followed up by simon/offs *take it back* ep. the labels third release comes from legendary broken beat and drum & bass producer colin lindo, aka nubian mindz, aka alpha omega. the man needs no further introduction as he is known for his brilliant releases on labels like reinforced, 2000black, archive, delsin and many more. *hacker wacker* is hypnotizing with sharp beats and a dubby, bleepy, broken techno vibe ready to take you on a sweaty late night trip. *vox & cymbal* is true listening bliss, a timeless tune centered around warm detroit chords, downpitched vocals and spiralling synthlines, sending you on a dream-like journey. vinyl pressing strictly limited to 250 copies only. early support from scuba, untold, and 2562.

warning! new young talent on robsoul recordings. jackin beat!

mikals *spiritual* is inspired by the sounds of classic metalheadz. a relaxed atmosphere soon gives way to a thunderous kick drum and warped bass. it is easy to hear how this vinyl cut has been hammering clubs across the world.on the flip continues utopias desire to push for consistent quality. rido performs his remix duties of *the chant* most admirably. dream-inducing atmospherics introduce this one, lulling us as the break builds up from the back of the mix into a climatic drop of beat and bass weight combined with the most meaty bass stab for the turnaround soldiers. dj support from andy c, friction, goldie, break and many distinguished others.

is he good - or is he wicked? - with this quote from alice in wonderland, clemens started his highly acclaimed fÖn records series in 1996. 2013 neufeld is back and taking raw acid techno to the next level. wicked is a bass heavy straight banger for the big floors, driven by haunting distorted off-beat percussion and naughty 303 bassline action.us-techno legend angel alanis, true master of disaster since his early works on woody mcbrides offshots, totally destroys it with a super ruff earthquake bass monster. nobody less then gez varely aka g-man, legendary half of the techno pioneers lfo from leeds, uk, provides another remix in his very own flavor - deep, dubby and hypnotic - a guaranteed floor filler. recorded in vienna(a), indianapolis(usa) and leeds (uk.

the second edition of the vinyl only imprint times are ruff hits the store. this time the label owners take matters in their own hands and strike with 4 disco-fused house stompers strictly for the dancefloor. up-beat tools for djs who take their sets deep & serious. limited and hand-numbered, you know the deal...

like the satisfying first sip of soda water spritz, roland tings debut ep, *milky way*, bubbles, barms, and beads through your body. roland tings is rohan newman, a melbourne producer who, like recent rubies holy balm, forces, and canyons, proves there is just more and more greatness behind the great and powerful oz. melodic acid trips doused with swish-ticky-booms, like a rubber ball in space with endless bump and bounce. sweet off his japanese jaunt, speeding things down with sapphire slows shows, newmans taste is pure effervescence and buoyancy. but he has got a percussive stickiness as well, a vim/vigor that raps and rips through trax touch-ups and echo-plexes. not the nineties but the none-ties – no glimmer glam, or sampladelic vocal vacations, or happy house heartbeats. he ends the creamy *milky way* with a brilliantly wonky theme that springs like a wind-up toy gone loose. roland tings, dings, and zings.

rummage in some boxes of my favourite record store i found a cover that made me curious. l kubic & tagträumer² - the only thing in this world and on the flipside a remix by alle farben. when placing the needle at the beginning of the vinyl the first sounds were very strange. i thought that must be a record from the 60s lost in the tech-house box but than a straight beat turned everything different. a piano melody slowly sat down firmly in my ear and i was longing to know where the journey takes me. after a while an acidline pushed everything and i was sure at this time this is not a normal 4/4 tech-house record. alle farben remixed the themes very playful and i heard that he gives the elements more pressure for the club. so at the end i bought this one and i cannot imagine taking this unique record ever again out of my record case.

fresh up specialise in strictly limited edition 45rpm singles showcasing the finest in library funk, moog disco and vocoder boogie sounds. fresh up are proud to announce their 10th release! bbii are a mysterious all-star session group gathered from the four corners of london to compose and record funky disco and soundtrack gems. *disco network* is a circa-1980 italo chugger featuring live percussion, rhodes piano and plenty of vintage synths. just the right balance of cosmic groove and happy melody to launch a party! *frog funk* is a funky library-style jam featuring fender rhodes piano over a ribbitting wahwah bass and funky clav backing with a finger-snappin beat.

this is a real double a-side release! daniel boon delivers with the relaxed groovin warm minimal techhouse-hit - ohrmeise and - ohrlaus with its deep vocal samples two real earworms for the berlin dancefloors. ostfunk newcomer tinush presents two very original berlin-balkan-beat-tracks.

parisian techno enfant terrible mondkopf makes a rare excursion away from his fast rising in paradisium imprint to deliver an ep for perc trax, a label that clearly shares mondkopfs love for the experimental, the industrial and the distorted. across these three tracks the french producer applies an overdriven, fuzz-heavy aesthetic to symphonic broken beat techno. think ancient methods or perc at their most uncompromising but then expanded in every direction heavier bass, sharper highs and an orchestral edge that is epic without ever coming across as contrived.

nyc (via paris) based dj and producer sid vaga returns to nickodemus wonderwheel recordings with another 12 inch full of exotic deep house vibes sure to light up dance floors everywhere. it is an impressive follow-up to his genuinely well-received *brazuca* single from last year. on the a side, sid delivers *na na ye*, a driving cut with a pulsing bass line and hypnotic african chant that pushes the tune forward before getting flipped into a percussive section alongside deep and subtle synths. on the flip *manouche* can be found, a late night house tune with psychedelic balkan guitars and swirling gypsy vocal samples punctuating the track. rounding out the single, valencian producer oscar barila (plastic city) gives *manouche* a truly funky remix with a squelchy 80s new wave style bass line, thumping house beat, and irresistible synth work coming together for a real after-hours nightclub workout.

besinnliche ballade oder turbulente tanznummer? organische klangfarben oder synthetische brillanz? experimentelles beat-gefrickel oder gradliniger rumms? die canow ep ist alles. und in ihrer gesamtheit noch viel mehr.

debbies groove sees carl taylor in full on jacking mode, with tinges of disco and a stomping beat that will see you heading straight for the nearest dancefloor.

since its inception in 2001, each entry in the pop ambient series has included its year of conception in its title, an irony in the fact that many consider the music being timeless in more than one way: a feel-good classic to some, a rigorous experiment to others, pop ambient always has located itself between the poles of habitual listening and sonic curiosity, with the space in-between beats being a way more interesting material than the beat itself. as in the years before, pop ambient 2013 collects an illustrious cast of producers uniting genre pioneers alongside old friends and some surprising new arrivals.
the 12 inch vinyl comes with a cd-copy of the full album.

cabin fever are back once again, this time with a fine 12inch from the mysterious edward mixx. dr beat is a straight up acieed rocker that takes u back to the sweaty proto house raves of 1987.on the flip olati beat hits nice & slow and is one hell of a drum machine workout.

bass4bots is proud to announce that after several years of searching on distant planets, our research team has finally discovered the missing link to machine consciousness . we are now (for the first time ever), able to provide your machine with a heart. it will not only act human-like, it wil...

this sound will definitely clear your mind and thats a promise! with great pleasure brouqade proudly presents dragosh, a highly talented young producer from rumania. his ep, five is uncompromisingly devoted to his obsession with snare and bass descending into the depths, there, where the beat sharpens the senses. vocals whisper unexpected secrets. dragoshs molecular, crystal clear sound beams directly onto the dancefloors. no detours.

make some noise! please welcome from hungary... peat noise! it is his debut on herzschlag with a groovy rolling beat and two really great remixes by plan-e (germany) and duart (portugal, knedeep berlin) and a special bonus track from neo baxter. an absolute must for everyone to hear and play techno.
early support by: patrick dsp, stevie wilson, massimo, israel toledo, michael kruck, meiko, dominik sobar, vegim, jo psarados, balkonkind, microcheep & mollo, fabrizio pettorelli, dimitri motofunk, alfonso forte, cristian glitch, aima, ronald van norden, r. cooper, hiab, ig noise, sascha freimüller and many more.

berlins producer wonderkid and finest ego beat championship winner playpad circus is finally ready to drop his debut solo ep >phantasma< on equinox records – an experimental, but yet utterly banging adventure in electronic music!
the vinyl edition is released as a limited 10inch and, as usual, includes a download card for all tracks.

the second rivulet release comes from stanley schmidt. incl kim brown (just another beat), rimini) remix

when 2 become 1: >just wanna feel< is gush-worthy, hype-topping, expectation-shattering perfect house pop from blonde disco don, magic touch, and heavenly weirdo wizardress sapphire slows. the single is singular, like early st. germain mornings, breezy, bright, and breathtaking. b side, >when i see you<, is pure piano pleasure, from opposite sides of the pacific, touch and slows have created coastal holiday sand n? sea sweet sensuality. the 12 inch also includes end-of-days echo-ccordian, slippery dark nights risin? rubix remix by outside-the-box beat bester i:cube, as well as a dub-do-over from m. touch himself. a match made for the internet age, a flawless faraway coolaboration with the best of both and mucho more. all design by effortless art hooligan bobby houlihan.

double 12 inch, one black & one white vinyl + download card.
>stereotype< the second single from bristol industrial dub pioneer mark stewarts recent album the politics of envy gets reworked by a host of guest producers. hyper dub duo hype williams unravel stereotype into a fiercely breath taking dub-spectacle, unfolding three-quarters of the way through into a sky-bound grand finale. fred venturas italoconnection remix radiates with a cosmic-coated, sugary burst of popular 80s synth and as expected plenty of italo spark & flair. daniel b of front 242 pulls the originals fuse, and rewires it into what you would kinda imagine a 31st century electronica frankenstein would sound like. renowned techno figure perc gets angst and intense with a heavy, mechanical but beautifully crafted remix destined for the most no-nonsense of floors. chicago native chrissy murderbot channels the same high impact baltimore sound that you will find in machinedrum and schlachthofbronx productions, carrying us out guns blazing with ballistic footwork drum beat firing. finally, mark stewarts dub version of the song and a taster from his upcoming >exorcism of envy< lp to be released later in the autumn.

ezlv craft playfully luxurious extended-mix radio hits from the bi-curious, bygone dance-meets-soul era. its sound stream in song form, luscious and light, brought to juicy lime-life with cool-curated club samples, late 70s horn porn, and elegant dj creationism.

making their long anticipated debut on colourful is danish outfit zohdy & senna (twobirds). title track showcasing a beatitfully crafted song with gorgeeuos deep harmonies and a bassline to die for. david keno takes the remix to 80s disco territores, yet with a firm beat to move any floor. flip side sees the duo wander into acid territories withkeep the beat and to wrap things, a solid deep builder with a totally addictive organ hook

standout track taken from don ninos latest album >in the backyard of your mind< (released in may), >beats< is about to take over your turntable for good thanks to three new remixes at the crossroads of the indie-pop and electronic music genres.
the original version of >beats< is a freaky and well-balanced piece of folk music. its lyrics are about body transportation and spiritual dematerialization. but in the hands of chloe, turzi and cubenx the beat boxes substitute the drums, the vocals get distorted, the track deconstructs itself as well as the walls fall between the genres.

includes remixes by john tejada and in flagranti.
early support: andrea esu, audioprophecy, avanti, brendon collins, brothers in progress, chris fortier, cosmonauts, dima studitsky, dj rocca, ekkohaus, rotarydisco76, fresh prince, fromage disco, irregular disco workers, king dj, leri ahel, makossa, mark ambrose, martin patino, space rager, rodion, salvatore principato, santonio echols, shir khan (exploited rec), slg, velferd, waxlife, zoe wilder ...

2019 reissue - wie showbiz und ag moegen twit one und lazy jones ihre pockets fat not flat (taschen voll nicht leer). aber wie das schicksal halt so spielt, ist das nicht immer der fall bei den beiden musikern aus koeln. deshalb nennen sie ihr projekt flatpocket und haben ein gemeinsames album zu diesem thema aufgenommen. fuer fans der hi-hat club- & beat fight-serien!

genius of time are back after a great year with houston, we have a problem on royal oak, gliese 581g on aniara, several excellent remixes and extensive touring with their unique, all-hardware live set that spans 30 years of music technology in one show. this release features two of the highlights from their current set: a-side tuffa trummor med synt is a new jersey house bomb for the year 2012, whereas tuffa trummor med röst on the flip follows up last years science fiction with an off the hook beat, expertly processed vocals and a strings breakdown reminiscent of that mid-90s inner city vibe. artwork by jeffrey meyers.. essential!

van bonn returns after his release maserung on telrae in april 2011. van bonn has been in the studio a lot since then and has worked on a number of tracks that are highlighted here. onwards i is an excursion into sound. it starts with sounds that interact in a subtle way but then as if by magic, suddenly it rises to a much higher energy level, almost pulling you by the hair. chords now kick in with the full force of brutality, like the strikes of london’s big ben and then you’d think the track will just burst. van bonn makes another turn before he lets the drums break loose. it seems as if van bonn is taming the brutality and direction of his electronic machines. abstract now meets the concrete and whoever wins the fight is up to the listener to decide. the first remix comes by raffaele attanasio who has had considerable success with der pianist and i m a jazzman and has collaborated with trapez ltd artist mihalis safras, a. trebor (trapez), as well as claude young, nic fanciulli and has shown his versatility throughout the last 3 years. juan atkins recently featured raffaele attanasio remix of no mans land by a. trebor in his charts.his remix for van bonn keeps up a strong beat programming right from the beginning. a beat monster so to speak is alive from the beginning and kicking. the track is written in a style that shows expansion and contraction and through that shows an organic breathing quality.